Several months ago I pulled out some chapters of my first novel and I think I might be falling in love with it again. I’ve only invited the first chapter on a date so far but we got along really well, talked about old times, shared a few laughs at our awkward beginnings, drooping middles, questionable endings. I played around with the structure and created a free-standing story from that chapter, which, with the help of my writing group, came out better than I expected. In fact, I liked it so much, I submitted it to an online publication, Connotation Press, where it appeared last January (thank you again, Karen Stefano), and then—surprise of all surprises—it was featured in Ploughshares’ blog under the heading: “Best Short Story I Read in a Lit Magazine This Week. (Call me stunned and put my feet back on the floor!)
Last night in our Wild Women, Wild Voices writing group, our focus was on Body Writing: Voice of the Senses. The session included several writing explorations, and as always, there wasn’t enough time to write all we wanted to write, discuss all we wanted to discuss, and share all we wanted to share.
One of our writing exercises, which I hadn’t done in a group before and which I found more than a little interesting, was to write a character description of ourselves.
I always think of writing prompts as music that invites the writer to dance. Or, to use another metaphor, they’re like starting blocks a runner uses to kick off for a race.
Prompts aren’t “exercises,” which tend to give directions—“Two strangers get stuck in an elevator; write their dialogue.” Instead, writing prompts suggest images or events or spark memories—each prompt evokes something different for each writer. And because they aren’t directives, the writing can take off in any surprising direction.