We all know it: eyes can’t fill, can’t tear up, can’t water or leak; tears can’t roll down cheeks, or flood, or track. Lips can’t quiver, tongues can’t get tied, color can’t drain from faces. We can’t freeze and especially we can’t freeze like “a deer caught in the headlights.” Our mouths daren’t drop open, nor our jaws. We can raise our eyebrows, but we best not furrow our brows.
Oh! all the cliches we can’t write, and most especially we can’t write them when our characters are experiencing those Big Emotions. You know, the ones our writing group tells us we must “show” our characters experiencing, rather than just telling about it.
I’ve been an advocate for and practitioner of “slow writing” for decades though I never knew there was a name for it. Others can have their NaNoWriMo or their finish-your-novel-in-six-weeks or -a-weekend or however speedily they want to go. A daily practice of anywhere from thirty minutes to two hours with an occasional long weekend or even longer retreat thrown in is what works for me.
Last night in our Wild Women, Wild Voices writing group, our focus was on Body Writing: Voice of the Senses. The session included several writing explorations, and as always, there wasn’t enough time to write all we wanted to write, discuss all we wanted to discuss, and share all we wanted to share.
One of our writing exercises, which I hadn’t done in a group before and which I found more than a little interesting, was to write a character description of ourselves.